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creative

filmmaker

director

videographer

producer

WHAT'S 
NEW?

ZOFIA PIONTEK

social media manager

DJ SETS

Mattie DJ set filmed during a student association party in Utrecht.

I shot and edited the video as a way to capture more than just the music - the people, the crowd energy, and that specific moment when a party becomes a shared experience. Sweaty dance floor, flashing lights, friends losing track of time.

Shot and edited by me.

A promotional reel for Boogie House, filmed during a release party at  IjCatcher in Amsterdam. The goal was simple: capture the feeling of the night. The movement, the music, the crowd, the moments in between - when the room starts syncing to the same rhythm.

I shot and edited the video to translate that atmosphere into something you can almost feel through the screen.

A live DJ set by Gabriel Brazil, a Brazilian DJ known for building tracks in real time during his performances.

The video captures an hour-long set where the music is created on the spot  - part performance, part experimentation.

I shot the footage, and the final edit was done by Zuzanna Kędzia.

DOCUMENTARY WORK

Roermond Kids Workshop - Camera & Interviews

 

A documentary piece following a workshop for elementary school kids in Roermond, built to help them discover their talents and passions - from makeup to public speaking to football. I shot it and ran the interviews, which meant getting young kids comfortable enough to open up on camera and catching the real, unguarded moments. Warm, human, and honest - the kind of storytelling that puts people first.

Septimius Awards - Camera Operator

 

Live event coverage at the Septimius Awards, where I worked as camera operator. Shooting an awards show means no second takes - reading the room in real time, finding the moments as they happen, and getting clean, usable footage under pressure. Proof I can hold my own on a real production and deliver when the moment only comes around once.

UGC ADS

A rap song and music video I wrote, shot, and directed.

I like to experiment with different creative mediums, and this project was my way of exploring music as storytelling. The song is about Brussels  - a city often reduced to EU offices, bureaucracy, or headlines about poverty.

For me, it’s much more personal. My dad lives there, and over time the city became tied to warm memories, long walks with waffles, and the feeling that Brussels is constantly misunderstood.

The video follows us spending a day walking through the city together, letting Brussels reveal itself as it is - layered, imperfect, historic, alive.

Music produced by Tristan Brandt.

MUSIC VIDEOS

A music video for Papa Aashi’s rap track "Sex n' Stuff", featuring Paul from Brussels.

Filmed in Amsterdam, the video leans into the rhythm and attitude of the song - keeping things loose, energetic, and driven by performance.

I directed and shot the project, turning the track into a visual moment somewhere between music video and city snapshot.

SOCIAL MEDIA
MARKETING
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A pre-production photoshoot for a short film about transformation, horror tropes, and female power.

The project explores the archetype of the final girl through a spiritual lens — beginning with the image of Mater Dolorosa, the suffering Saint Mary, and moving toward a woman reclaiming agency and strength.

I produced and organized the shoot, developing the concept and visuals as an early exploration of the film’s aesthetic world.
Photos by Cobretti.

Catholic iconography. Horror symbolism. A woman refusing to stay a victim.

A pre-production photoshoot for a short film about transformation, the "final girl" trope, and female power.

The project explores the archetype of the final girl through a spiritual lens - beginning with the image of Mater Dolorosa, the suffering Saint Mary, and moving toward a woman reclaiming agency and strength through spiritual and psychedelic metamorphosis.

I produced and organized the shoot, developing the concept and visuals as an early exploration of the film’s aesthetic world.

Photos by Cobretti.

PHOTO

PORTFOLIO

Performance creative built for Meta and TikTok - the kind made to convert, not just look pretty. As pre-production manager I helped bring these ads to life across a whole stack of industries and languages, from beauty to gaming to FMCG, each one reverse-engineered from what's actually working: data on what converts, hooks that survive the first second, and formats native to how people really scroll. UGC that lands like a friend's recommendation, studio polish where the brand needs control, all pointed at the numbers that matter - lower CPA, higher CVR, creative that scales. Trend-led, test-backed, and tuned to whatever's popping in social right now.

Cortazu - Brand Reel

A fast, dynamic reel built to make you want to get outside. It runs through Cortazu's range with one message underneath it all: gear up, head out, be ready for anything. Cut for social — punchy pacing, motion that holds the scroll, and an outdoor energy that sells the lifestyle as much as the product.

Edited by me.

ADE x Pete Tong - Amsterdam Dance Event 

 

A reel capturing the energy of ADE in Amsterdam alongside Pete Tong — shot and cut by Zuzanna Kędzia. Big-room atmosphere, tight editing, the kind of event content that puts you in the room.

Shot by me, edited by Zuzanna Kędzia

Ukraińska Akcja KIK - Social Content (NGO)

 

Content I curate, film, edit and design end-to-end for an NGO's Facebook, Instagram and TikTok, including running their ad campaigns. These two posts sit at the heart of the mission: building real relationships between young Ukrainians and Poles, and through them, peace and mutual respect. Simple, human, honest storytelling - the kind that earns trust rather than just impressions.

Marketing - Vendée Promo Reel (Treatment)

The blueprint before the shoot. This is a treatment I developed for a tourism reel promoting the Vendée region in France - the document where the whole thing gets imagined: the narrative arc, the look and feel, the tone, the shots that would make someone want to book a trip. It's where strategy meets craft — translating a destination's pull into a concrete visual concept a crew can actually go shoot. Proof I don't just execute, I pitch the vision first: where the camera goes, why, and what feeling it leaves you with.

INSTRUMENTAL SOLOS

Filmed during Supersonic Jazz Festival at Melkweg in Amsterdam.

Roseye is a modern jazz band that blends psychedelic textures with spiritual, improvisational energy. During their set,

I focused on capturing the moments where the music becomes most personal - the solos. A piano, a guitar, and a saxophone taking turns telling their own stories. The project is a small study of musical expression: hands moving across keys, breath through brass, the quiet intensity of musicians fully inside the moment.

Shot and edited by me.

My work moves across different roles: sometimes producing, sometimes directing, sometimes operating the camera.
I enjoy being involved in every layer of storytelling, from concept to execution.

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❗️spend the day with us on the first ADRENALINE pilot shoot❗️ graphic _oliwiagontarek (1).
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I’m a filmmaker, director, producer, videographer, and a creative who likes to stay close to the process.

 

Sometimes I’m directing a project from the first idea to the final frame. Sometimes I’m behind the camera capturing a moment that can’t happen twice. Sometimes I’m producing - bringing the right people together and turning chaos into something that works.

 

I like both sides of the work: collaborating with a team and building something bigger than yourself, but also flying solo when an idea needs a single clear vision.

 

My work lives somewhere between culture, film, music, fashion and perception. I’m drawn to projects that feel alive - where visuals, sound, and story meet. I’ve worked on fashion films, music videos, documentaries, live events, and experimental projects, often wearing multiple hats along the way.

 

I’m curious by nature and happiest when creating, whether that means directing a narrative, shooting backstage at a fashion show, producing an ad campaign, or capturing the energy of a live performance.

 

Some people specialize in one role.

 

I like being a bit of a renaissance woman.

 

Because the best creative work happens when you understand the whole picture.

A few places my camera (and brain) have been

WHO IS ZOFIA?

A few highlights from the journey so far:
 

• Producer — POSE/PLAY Fashion Film (Oct 2025)
• Director — Music Video “BXL” (Apr 2025)
• Camera Operator — Beneath the Skin, ISIS Fashion Awards Documentary, Amsterdam (May 2025)
• Director — 48 Hour Film Project, Rotterdam (Sep 2023)
• Member — Foxer Talent (Sep 2023 – Present)
• Head Videographer — BoogieHouse DJ Collective (Feb 2023 – Feb 2024)
• Assistant Director — Adrenaline Series Pilot (2023)

 

Camera work includes:
• Septimius Awards, Amsterdam
• HOOFS Live Concert, Markt Centraal Amsterdam
• ICPR — Interdisciplinary Conference of Psychedelic Research, Haarlem

 

And occasionally stepping into other roles in the film world:
• Live Translator — IDFA screening of Judges Under Pressure
• Q&A Moderator — IDFA Film Screening

CONTACT

email

+48 693 220 166

production@zofiapiontek.com

telephone

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